The Sunday Mail
PRAYER is always part of our daily life, especially before leaving home and after returning safely.
It is something that we need to do as often as possible for the mercy the Almighty continues to show us despite our numerous transgressions.
A hedonist’s life depends on a strict code involving the relentless pursuit of pleasure and sensual self-indulgence.
But believe it or not, hedonism, though satisfying, is dicier than some of the duties performed by our esteemed security services. The pursuit of happiness always leads to places where you are unwelcome at times or get to mingle with people that have a bone to pick with you.
In most cases, you are in the dark and will only get a rude awakening.
The confrontations are seldom peaceable.
Talk of occupational hazards!
Protection from foes is one of the reasons we believe in the power of prayer.
However, we have of late been earnestly praying for Covid-19 to disappear.
We miss our “real” live shows!
Perhaps let us start by commending the brains behind all the recent live studio acts that are currently screening on the national broadcaster and various other online platforms.
The shows have given the public, both within and outside our borders, something to cheer about in this Covid-19-induced lockdown. Insofar as the Zimbabwe Broadcasting Corporation-Television (ZTV) is concerned, at least viewers are having an opportunity to watch some fresh content.
ZTV, as we highlighted a few weeks back, is in the habit of repeating the same programme(s) up to a point where one can recite word-for-word most of the lines in the productions.
This applies to both locally and internationally sourced programmes.
Anyway, that is not the agenda of the day.
While the live studio shows are exposing artistes to a much wider audience and generating online traffic/viewership for handlers, they are still far from satiating real show-goers’ cravings for gigs.
There is a big difference between these on-screen gigs and our traditional live shows — the ones that remain banned by the ongoing lockdown measures.
The studio milieu just does not bring ‘the best live act zeal’ in artistes that are used to perform in front of bumper crowds.
Probably this explains why sungura king Alick Macheso gave a subdued act — one that is not even a quarter of his known capacity — on one of the studio sets, or why Jah Signal did not deliver his trademark ‘euphoria’ jump.
The studio acts concept can work perfectly for sound movements like Judgement Yard that make use of DJs and an MC or some of the dancehall acts that make use of backtracks. There is a reason why our kind is prepared to endure cold nights at live gigs.
A reason that can never be found on television or online.
“I never knew Mhere (Mathias) has such a solid act,” confessed Mai Panashe during Mhere’s lockdown performance.
And indeed, thousands, if not millions of people, are witnessing some of these artistes perform live for the first time.
This is a group that is certainly enjoying this initiative more.
But for some of us, we realise pane zviri kushota (there is a missing link).
The energy that drives artistes in front of crowds is not easy to create in front of cameras and studio lighting alone.
Some of us have resorted to making use of video albums (DVDs) or live recordings of gigs on YouTube and various other social media platforms to quench our longing for the ‘real’ deal.
The videos are way better than most of the current live studio gigs that appear too artificial.
We continue praying that God gets rid of this pandemic for us.
